Contesting class, gender and national identity:
The visual art practice of Test Dept
https://www.intellectbooks.com/punk-post-punk
https://www.ingentaconnect.com/.../0000.../00000002/art00006
Intellect is pleased to announce Punk & Post Punk 11.2 is out now!

Aims & Scope
Punk & Post-Punk is a Scopus indexed journal for academics, artists, journalists and the wider cultural industries. Placing punk and its progeny at the heart of interdisciplinary investigation, it is the first forum of its kind to explore this rich and influential topic in both historical and theoretical terms.
Editorial
RUSS BESTLEY
Articles
DC hardcore, gentrification and punk urbanism
MAXWELL WOODS
You (plural): Political configurations of punk’s DIY ethos
JOHN CHARLES GOSHERT
Between surrealism and politics: An exploration of subversive body arts in 1980s East German underground cinema
CYNTHIA SCHULZ
Opening up the pit: Negotiating a punk ethos with PUP
MORGAN BIMM AND ANDI SCHWARTZ
Contesting class, gender and national identity: The visual art practice of Test Dept
TIM FORSTER
Interview
Fractured and elliptical sensibilities: An interview with Steve Taylor
RUPERT LOYDELL
Obituary
‘There goes my hero’: Taylor Hawkins (17 February 1972–25 March 2022)
MATT GRIMES
Book Reviews
Lightning Striking: Ten Transformative Moments in Rock & Roll, Lenny Kaye (2021)
RUPERT LOYDELL
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present, J. R. Moores (2021)
YORGOS PASCHOS
Red Days: Popular Music & the English Counterculture 1965–1975, John Roberts (2020)
STAN ERRAUGHT
PUNK! Las Américas Edition, Olga Rodríguez-Ulloa, Rodrigo Quijano and Shane Greene (eds) (2021)
DANIEL MAKAGON
Directions to the Outskirts of Town: Punk Rock Tour Diaries from Nineties North America, Welly Artcore (2021)
RUSS BESTLEY
Faster! Louder! How a Punk Rocker from Yorkshire Became British Champion Fell Runner, Boff Whalley (2021)
RUSS BESTLEY
Exhibition Review
Decolonize the Disenfranchised: Gregg Deal, Tutse Nakoekwu (Minor Threat) and the Disruption of Indigenous Stereotypes, Emmanuel Gallery, Denver, USA, 28 January–1 March, 2022
EMILY OWENS